Had fate been somehow different, the gallery of auteur cinema might have become a prolific and long-playing representative. In her debut Hunger, Tony Scott, through his chic artistic means and exalted style, gave away his knowledge of aesthetics. Unfortunately, the decadent elegy of vampire decay was not prosaically continued, during which, as far as we can now judge, the director himself has not been interested. And although already in his declining years, the Briton again, just as his younger years, undertook to experiment, but he entered the reputation of cinematography, to start with, as an authority of entertaining action films. Now, strong screenplays hardly ever found in this particular genre, but there's nothing to say on the eighties: the glorious "video salon era" boasted completely something more important, as well as directors'vigorous imagination - above all. Meager budgets, erratic studio management, and strong competition contributed to the repair make use of, but we could still take advantage of the fruits of those efforts. It turned out the creative streak, inherent not just in the titans of directing, that allowed Scott to show an effective story about a competent and reckless pilot to a full-fledged aviation drama which in fact had lived well for three decades till a worthy successor.

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The painting "The Best Shooter", or, by habit, "Top Gun" - is itself like a war veteran who returned from your battlefield and ennobled by orders. She immortalized American patriotism inside healthiest and the majority non-irritating sense, the young without yet corroded narcissism of Tom Cruise, and, naturally, the brilliant hit "Take My Breath Away" from the group Berlin. Music is a tremendous component with the film, praising the of an rebellious character and faithful search for dreams. Airy pirouettes and dashingly broken "dead loops" resemble a boldly performed symphony, the sound of and that is unattainable sick and tired with. Flying at transonic speeds through sheaves of clouds, under the disgruntled muttering of your competitor inside aviation school but for the glory of non-stop traffic - you really need to get accustomed to all this so that they are the ideal flanked by equals. The callsign "Drifter" accurately conveys the wandering essence of folks like Cruz's character: rules are for weaklings, instincts are everything. Oddly enough, in the meantime, the image can be considered a hymn to the selfish view, but "Top Gun" might have remained a low cost agitation, had it not been to the ruthless lessons taught by life. “The one that rises higher, the more painful it is to fall” - this wisdom is famous on both sides of your Atlantic Ocean, but for reasons uknown it usually is remembered too late. However, each subsequent ascent is able to ascend to new heights, at which you'll not need to regret anything.

Whether Tony Scott knew over it or not, the Soviet Su-27 as soon as of creation was classified not equally a "multipurpose fighter", but as an "aircraft for gaining air superiority." Top Gun can deservedly boast of the goal. Neither an obscure love story, nor superficially revealed characters, nor the amazingly patient instructors of the college of aces tend not to cancel flight magic, which captures your mind without independently climbing on the cockpit from the American F-14. Unsurprisingly, the gaming that followed the film was a trendsetter among flight simulators. When you are uphill, several things seem insignificant, even if they used to disturb therefore making you doubt yourself. Scott discovered a heroic corner of any separate world, during which speed remains to be the main value and necessity. With a variety of sounds, it fascinates the pilot and teaches real overcoming; with the helm of an multimillion-dollar car, to buy a error is extremely high.

To your director's credit, he skillfully diluted the sublime elements of his picture with natural ones. The earth is replacing the sun featuring a problems, disappointments and losses. This is the reason Tom Cruise's "The Wanderer" grown to be a daredevil, but under no circumstances some complete adventurer, ready to permit his brothers-in-arms on the decisive moment. The film, which is standard with regard to timing, captures only an element of the lifetime of air aces, showing them as carefree darlings of fate and concurrently idealists forced to battle romantic impulses in the interests of their mission. No one is immune from mistakes, but if you treat your selected business with heart, then few things are impossible. The same thing happened with Tony Scott's film: it is actually among inspired work floating freely while in the azure of human memory, giving everyone a chance to feel how wonderful a very high flight is.